Spotify: Deciding Whether to Build Live Artist Broadcasts

Quick Overview

A Spotify product strategy question asking whether the company should invest in letting artists broadcast live inside the app. It tests strategic fit, segmentation of artists and fans, awareness of competing platforms, cost and rights risks, and a recommendation backed by a pilot and metrics.

Spotify: Deciding Whether to Build Live Artist Broadcasts

Company: Spotify

Role: Product Manager

Category: Product Design & Strategy

Difficulty: medium

Interview Round: Other

You are a product manager at Spotify. Leadership is weighing a feature that would let artists broadcast live to listeners inside the Spotify app. Should Spotify invest in it? Give a recommendation and the reasoning behind it. ```hint Find what only Spotify can offer Artists can already go live on several video and social platforms. Work out what a live feature inside Spotify would give artists and fans that those platforms do not, and for whom, then let that decide both the answer and the size of the bet. ``` ### Clarifying Questions - What does "go live" mean here: live video performances, audio-only sessions such as Q&As and listening parties, or both? - Is the goal fan engagement and retention, keeping artists loyal to the platform, or a new revenue stream such as ticketed shows? - Would live sessions be free to everyone, limited to Premium subscribers, or sold per event? - Which artists is it meant for: established stars, mid-tier artists with loyal fans, or emerging artists trying to grow an audience? ### What a Strong Answer Covers - The strategic reason Spotify would want this, tied to its two-sided relationship with artists and listeners - A realistic view of where artists already stream live, and what Spotify could do differently - Specific artist and fan segments, their needs, and the format that serves them - Costs and risks specific to live content: streaming infrastructure, music rights, moderation and small audiences - A clear recommendation with a small test, success metrics and criteria for stopping ### Follow-up Questions - A pilot shows strong attendance but no rise in listening to the artist afterward. Do you keep investing? - How would you keep live sessions from becoming a cost with tiny audiences for most artists? - What evidence would make you recommend not investing at all?

Overview: A Spotify product strategy question asking whether the company should invest in letting artists broadcast live inside the app. It tests strategic fit, segmentation of artists and fans, awareness of competing platforms, cost and rights risks, and a recommendation backed by a pilot and metrics.

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Spotify
Aug 18, 2026
mediumProduct ManagerOtherProduct Design & Strategy
0
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You are a product manager at Spotify. Leadership is weighing a feature that would let artists broadcast live to listeners inside the Spotify app. Should Spotify invest in it? Give a recommendation and the reasoning behind it.

Clarifying Questions Guidance

  • What does "go live" mean here: live video performances, audio-only sessions such as Q&As and listening parties, or both?
  • Is the goal fan engagement and retention, keeping artists loyal to the platform, or a new revenue stream such as ticketed shows?
  • Would live sessions be free to everyone, limited to Premium subscribers, or sold per event?
  • Which artists is it meant for: established stars, mid-tier artists with loyal fans, or emerging artists trying to grow an audience?

What a Strong Answer Covers Guidance

  • The strategic reason Spotify would want this, tied to its two-sided relationship with artists and listeners
  • A realistic view of where artists already stream live, and what Spotify could do differently
  • Specific artist and fan segments, their needs, and the format that serves them
  • Costs and risks specific to live content: streaming infrastructure, music rights, moderation and small audiences
  • A clear recommendation with a small test, success metrics and criteria for stopping

Follow-up Questions Guidance

  • A pilot shows strong attendance but no rise in listening to the artist afterward. Do you keep investing?
  • How would you keep live sessions from becoming a cost with tiny audiences for most artists?
  • What evidence would make you recommend not investing at all?